For over twenty years I have been a huge admirer of this great maker’s output, at first his bows confused me as they look identical to Sartory. This made sense when I subsequently learnt that he worked for Sartory from 1902-1934. His bows have a feel and balance exactly like best period Sartory bows have. He began working for Caressa and Francais in 1917 and this bow is stamped thus and from the period 1917-1920. Despite working for this firm, he also continued his association with Sartory.
It is interesting to see what Bernard Millant writes of him in L’ Archet:
Jules Fetique is, without doubt, together with Eugene Sartory, one of the greatest Parisienne bow makers of the twentieth century
It is extraordinary just how close this head is to Sartory’s work. The period 1905-1920 is a truly great era for bow making in Paris.
The dimensions of the stick are just about ideal. Artistically and functionally close to perfection.
Jules Fetique’s bows are difficult to find on the international market, and when they are found they sell quickly, often to Japan where he has a loyal following.
Of course it is no surprise the frog and button look like Sartory; he made them for Sartory during this time!
Any professional player would happily spend a lifetime contentedly using such a versatile bow, a dream to use it helps the player at all times.
This close up gives you an idea of the quality of the pernambuco used, my favourite colour! See below the Jean-Francois Raffin certificate that comes with this bow. All parts are correct and the only damage is to the back of the head near the ivory face, now totally secure and of no concern.